a sunday on la grande jatte analysis
Name: A Sunday Afternoon on the Island of La Grande Jatte (1884-6)
Artist: Georges Seurat (1859-91)
Medium: Oil painting on canvas
Genre: 19th century genre painting
Location: Art Institute of Chicago
The essential meaning of A Sunday Afternoon on the Island of La Grande Jatte is far from clear. However art critics believe that it should be interpreted in comparison to its sister work Bathers at Asnieres. They believe that ‘La Jatte’ represents the French bourgeoisie, a decaying class that has fallen victim to lust and vice, and which is now in the shadows. In contrast, the sun is shining on the working class bathers of Asnieres, who represent the bright future of France.
The May 1976 issue of Playboy magazine featured Nancy Cameron—Playmate of the Month in January 1974—on its cover, superimposed on the painting in similar style. The often hidden bunny logo was disguised as one of the millions of dots. 
Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886,  focusing meticulously on the landscape of the park. He reworked the original and completed numerous preliminary drawings and oil sketches. He sat in the park, creating numerous sketches of the various figures in order to perfect their form. He concentrated on issues of colour, light, and form. The painting is approximately 2 by 3 meters (7 by 10 feet) in size.
On this day, December 2nd, 1859 the French post-Impressionist painter and draftsman Georges Seurat was born. On this occasion we’ve decided to remind you of his greatest painting – “A Sunday on La Grande Jatte”.
Seurat’s painting, firstly exhibited at the 1886 Impressionist exhibit was a major turnoff for some critics. Some observers didn’t like rigid profiles of Seurat’s subjects, whose poses were negatively compared to tin soldiers.
At first glance, Georges-Pierre Seurat’s A Sunday on La Grande Jatte —1884 seems a warm portrait of a sunny day in a lovely park. But a closer look at the Neo-Impressionist’s most famous work reveals much more.
Dalí occasionally moonlighted as a fashion designer, bringing some of his signature motifs to womenswear. He collaborated with Italian fashion designer Elsa Schiaparelli to create clothing inspired by his paintings, like a dress with drawer-like pockets inspired by The Anthropomorphic Cabinet, a shoe hat inspired by a photo Dalí took of Gala, and a lobster-print dress worn by Wallis Simpson in a Vogue photoshoot in 1937. (Dalí regularly put lobsters in his paintings, often using them to represent his fear of castration.)
The Island of La Grande Jatte
Pointillism and Grammaire des arts au dessin (1867) by Charles Blanc:
Grammaire was a book formed from ideas on color that first stemmed from figures such as Michel Eugéne Chevreul, David Sutter and Ogden Rood. The scientists were able to put into easily understandable theories about color, perception and optical effects that were first formulated by legendary scientists Isaac Newton and Helmholtz.