about what tme was the painting a sunday afternoon in the island of the grand jatte based on

About what tme was the painting a sunday afternoon in the island of the grand jatte based on
The two main artistic traditions that dominated modern art during the second half of the nineteenth century – Realist painting and Impressionism – evolved from painters’ direct observation of the world around them. In contrast, Georges Seurat based his painting on the theories of Divisionism (a scientific interpretation of how the eye sees colour), pioneered by Michel Eugene Chevreul, Ogden Rood and others. The two large genre paintings that made his reputation – Sunday Afternoon on the Island of La Grande Jatte and Bathers at Asnieres – are perfect examples of his ‘new’ Impressionism – although calling it after Monet’s style of spontaneous plein-air painting is rather misleading. Seurat worked mostly in his studio and planned his compositions with meticulous attention to detail. Indeed, for La Grande Jatte he made over seventy preliminary drawings and oil sketches. For more on the impact of Seurat’s Neo-Impressionsm, see Italian Divisionism (1890-1907). For more about the two main traditions, and how they related to each other, see: Realism to Impressionism (c.1830-1900).
The painting depicts fashionable Parisians enjoying a Sunday afternoon at a popular beauty spot located on the River Seine between Neuilly and Levallois-Perret. While his earlier Bathers at Asnieres depicted the working class left-bank of the river, this work shows the bourgeois right-bank at La Grande Jatte. Thus, for instance, in contrast to the unremitting heat of Asnieres, La Grande Jatte has plenty of cool shade in which to escape the sun.

About what tme was the painting a sunday afternoon in the island of the grand jatte based on
In the Simpsons episode “Mom and Pop Art” (10×19), Barney Gumble offers to pay for a beer with a handmade reproduction of the painting.
Some of the characters are doing curious things. The lady on the right side has a monkey on a leash. A lady on the left near the river bank is fishing. The area was known at the time as being a place to procure prostitutes among the bourgeoisie, a likely allusion of the otherwise odd “fishing” rod. In the painting’s center stands a little girl dressed in white (who is not in a shadow), who stares directly at the viewer of the painting. This may be interpreted as someone who is silently questioning the audience: “What will become of these people and their class?” Seurat paints their prospects bleakly, cloaked as they are in shadow and suspicion of sin. [9]

About what tme was the painting a sunday afternoon in the island of the grand jatte based on
A Sunday Afternoon on the Island of La Grande Jatte
Pointillism and Grammaire des arts au dessin (1867) by Charles Blanc:
Grammaire was a book formed from ideas on color that first stemmed from figures such as Michel Eugéne Chevreul, David Sutter and Ogden Rood. The scientists were able to put into easily understandable theories about color, perception and optical effects that were first formulated by legendary scientists Isaac Newton and Helmholtz.

About what tme was the painting a sunday afternoon in the island of the grand jatte based on
Georges Seurat, Study for ‘La Grande Jatte’, 1884-5, National Gallery, London
In this large painting, Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. It may be just an ordinary day with ordinary people. The cast comprised three dogs, eight boats and 48 people as they congregated for a Sunday afternoon in the sunny park. But, the titular locale was a favorite of prostitutes on the prowl, so some historians suspect that fish are not what the fishing-pole-toting woman on the left was hoping to hook. The same speculation has arisen around the lady on the right, with a monkey on a leash and a man on her arm.

About what tme was the painting a sunday afternoon in the island of the grand jatte based on
In the 1950s, Ernest Bloch’s three-volume The Principle of Hope explored the socio-political interpretations of A Sunday Afternoon on the Island of La Grande Jatte, spurring a renewed interest and appreciation for the piece.
Published in 1944, Hidden Faces follows a group of aristocrats living in France before and during World War II. Dalí announced it with signature flair, saying that the “new times of intellectual responsibility” had prompted him to write “a long and boring ‘true novel.” The New York Times reviewed it under the headline “It’s Boring, but Is It Art?” (A paywalled version is here.) “His sofa in the shape of lips showed more ‘intellectual responsibility’ than this,” reviewer Mark Schorer wrote in his scathing column.

References:

http://en.m.wikipedia.org/wiki/A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
http://www.artble.com/artists/georges_seurat/paintings/a_sunday_afternoon_on_the_island_of_la_grande_jatte
http://www.dailyartmagazine.com/sunday-la-grande-jatte-georges-seurat/
http://www.mentalfloss.com/article/63510/15-things-you-might-not-know-about-sunday-la-grande-jatte-1884
http://en.m.wikipedia.org/wiki/A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte

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