donetello regards on sculpting

In 1411–1413, Donatello worked on a statue of St. Mark for the guild church of Orsanmichele. In 1417 he completed the Saint George for the Confraternity of the Cuirass-makers. The elegant St. George and the Dragon relief on the statue’s base, executed in schiacciato (a very low bas-relief) is one of the first examples of one-point perspective in sculpture. From 1423 is the Saint Louis of Toulouse for the Orsanmichele, now in the Museum of the Basilica di Santa Croce. Donatello had also sculpted the classical frame for this work, which remains, while the statue was moved in 1460 and replaced by the Incredulity of Saint Thomas by Verrocchio.
From 1425 to 1427, Donatello collaborated with Michelozzo on the funerary monument of the Antipope John XXIII for the Battistero in Florence. Donatello made the recumbent bronze figure of the deceased, under a shell. In 1427, he completed in Pisa a marble relief for the funerary monument of Cardinal Rainaldo Brancacci at the church of Sant’Angelo a Nilo in Naples. In the same period, he executed the relief of the Feast of Herod and the statues of Faith and Hope for the Baptistery of San Giovanni in Siena. The relief is mostly in stiacciato, with the foreground figures are done in bas-relief.

Donetello regards on sculpting
Donatello was born Donato di Niccolò di Betto Bardi and was of humble origins: he was the son of Niccolò di Betto Bardi, a Florentine wool carder. Donatello never married or had children.
The cause of Donatello’s death is not widely written about, but it is known that the last years of his life were spent designing twin bronze pulpits for San Lorenzo. He died at the age of 79 or 80.

Donetello regards on sculpting
Type: Bronze Relief
Type: Bronze Statue

Donetello regards on sculpting
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The Bronze David by Donatello of the Early Renaissance shows a subtle transition through style and form to the High Renaissance when compared to the marble David by Michelangelo. Yet a similar Renaissance interpretation of the character of David is seen in both pieces. Donatello’s David embodies the humanism and classicism of the Italian Renaissance, and pioneers styles that would influence a generation. The perfection of David by Michelangelo creates a similar allusion to humanism and classical
During the renaissance Michelangelo had created many magnificent pieces of art, one of which is the most well-known pieces among the world; the sculpture of David. The Michelangelo sculpture of David wasn’t the only one created during its time, for Donatello had created one some years before hand. Among the two sculptures, Michelangelo’s has a more profound, fascinating, and exceptional quality to it that contributed greatly to the Renaissance. The High Renaissance was a period denoting

References:

http://www.britannica.com/biography/Donatello
http://learnodo-newtonic.com/donatello-famous-works
http://www.thesculptorsfuneral.com/episodes?offset=1415510280000
http://www.bartleby.com/essay/Donatellos-David-PK23P6YTC
http://en.wikipedia.org/wiki/David_(Donatello)

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