georges seurat a sunday on la grande jatte urban outfitters sweater
In Topiary Park (formerly Old Deaf School Park) in Columbus, Ohio, sculptor James T. Mason re-created the painting in topiary form;  the installation was completed in 1989.
Seurat’s palette consisted of the usual pigments of his time   such as cobalt blue, emerald green and vermilion. Additionally, Seurat used then new pigment zinc yellow (zinc chromate), predominantly for yellow highlights in the sunlit grass in the middle of the painting but also in mixtures with orange and blue pigments. In the century and more since the painting’s completion, the zinc yellow has darkened to brown—a color degeneration that was already showing in the painting in Seurat’s lifetime.  The discoloration of the originally bright yellow zinc yellow (zinc chromate) to brownish color is due to the chemical reaction of the chromate ions to orange-colored dichromate ions.  In the third stage during 1888–89 Seurat added the colored borders to his composition.
Nowadays, A Sunday Afternoon On The Island Of La Grande Jatte can be viewed at the Art Institute of Chicago. Aside from offering us an opportunity to see first-hand one of the most important modern artworks that paved the way for avant-garde thought, this painting is also a symbol of how an ambitious young man, unsatisfied with current artistic standards and norms, set off to prove his own views on art regardless of the protests of his colleagues. As a painter, Georges Seurat wanted to make a difference and with La Grand Jatte, he succeeded. A Sunday Afternoon On The Island Of La Grande Jatte is now regarded as an iconic part of our culture and is viewed as one of the most pivotal works of art ever put onto a canvas.
A Sunday Afternoon on the Island of La Grande Jatte is one of those rare cases where a single artwork is able to stand out completely – its transcendence, both narratively and technically, is instinctively recognized by everyone.