georges seurat a sunday on la grande jatte

Georges seurat a sunday on la grande jatte
Another optical trick evident in this painting is Seurat’s inclusion of an innovative painted “frame.” According to the Art Institute of Chicago, this Pointillist border is supposed to “make the experience of the painting even more intense” by adding even more colors, tones, and a textures to the composition.
Over the course of art history, certain pieces have come to symbolize entire artistic genres. Leonardo’s Mona Lisa and Michelangelo’s David, for example, define the Italian Renaissance; The Scream by Edvard Munch epitomizes Expressionism; and Pointillism is typified by Georges Seurat’s A Sunday Afternoon the the Island of La Grande Jatte.

Georges seurat a sunday on la grande jatte
A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l’Île de la Grande Jatte) painted in 1884, is Georges Seurat’s most famous work. [1] It is a leading example of pointillist technique, executed on a large canvas. Seurat’s composition includes a number of Parisians at a park on the banks of the River Seine.
In conceptual artist Don Celender’s 1974–75 book Observation and Scholarship Examination for Art Historians, Museum Directors, Artists, Dealers and Collectors, it is claimed that the institute paid $24,000 for the work [18] [19] (over $354,000 in 2018 dollars [20] ).

Georges seurat a sunday on la grande jatte
Paris, Rue des Tuileries, IIème Exposition de la Société des Artistes Indépendants, August 21–September 21, 1886, cat. 353.
Paris, Pavillon de la Ville de Paris, VIIIème Exposition de la Société des Artistes Indépendants, March 19–April 27, 1892, cat. 1082.

Georges seurat a sunday on la grande jatte
However, after A Sunday Afternoon On The Island Of La Grande Jatte was exhibited in 1884, it was mostly heralded as a grand work of meticulous proportions. It appears that the biggest issue contemporary French art scene had with the piece was the way in which it was made – as is the case with most bold new artistic movements or styles, Pointillism had to face its fair share of initial scrutiny. After all, the painting’s style was unlike anything else that preceded it, so it was only natural for some to question it.
What makes this painting even more unique and mysterious is that the theme of the work is not some profound emotion or momentous event, but the banalest of workaday scenes.

Georges seurat a sunday on la grande jatte
In this large painting, Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. It may be just an ordinary day with ordinary people. The cast comprised three dogs, eight boats and 48 people as they congregated for a Sunday afternoon in the sunny park. But, the titular locale was a favorite of prostitutes on the prowl, so some historians suspect that fish are not what the fishing-pole-toting woman on the left was hoping to hook. The same speculation has arisen around the lady on the right, with a monkey on a leash and a man on her arm.
Seurat’s painting, firstly exhibited at the 1886 Impressionist exhibit was a major turnoff for some critics. Some observers didn’t like rigid profiles of Seurat’s subjects, whose poses were negatively compared to tin soldiers.

References:

http://en.m.wikipedia.org/wiki/A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
http://commons.m.wikimedia.org/wiki/File:Georges_Seurat_-_A_Sunday_on_La_Grande_Jatte_–_1884_-_Google_Art_Project.jpg
http://www.widewalls.ch/a-sunday-afternoon-on-the-island-of-la-grande-jatte-georges-seurat/
http://www.dailyartmagazine.com/sunday-la-grande-jatte-georges-seurat/
http://www.visual-arts-cork.com/paintings-analysis/sunday-afternoon-on-grande-jatte.htm

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