impressionism sunrise value
Amazing work! is it possible to know the publishing date to be able to reference this ?
Over time, Monet’s painting techniques evolved and matured from the type he implemented in Impression, Sunrise to that seen in his later, larger paintings such as his water lilies. One area in which he developed his technique was pigment mixture. While Impression, Sunrise displays several different tones of color, Monet’s later works exhibit a wider variety of color juxtaposed against one another. Monet would come to use layer upon layer of paint in his future paintings. He applied many layers to succeed in creating the perfect combination of pigment, but also to cover undesired portions when he changed his mind in the process of completing a painting, which happened often. Up to fifteen layers of paint have been counted in a cross-section by scientists who have analyzed Monet’s paintings. Another future technique not seen in Impression, Sunrise that Monet employed was corrugation. This technique is seen in several of his water lily paintings. The effect of corrugation was produced by layering thick, but open brushstrokes of paint onto the canvas which then served as the textural basis for the thin strokes of color placed on top. Monet applied these thin strokes perpendicularly to the under-layer so as to lightly brush the ridges of the texture. If Monet acquired layers of paint that were too heavy, he often used a technique called scraping down to remove the unwanted or excess paint. A final technique Monet later utilized in his water lily paintings was named leaching. In this process, Monet would squeeze the paint out of the tubes onto paper blotters to drain the oil from the paints. This technique was commonly used when he desired a softer and more matte-like appearance.
Date: March 18, 1990 Location: The Isabella Stewart Gardner Museum; Boston, USA Description: Considered by many to be one of the biggest heists of its kind, two thieves dressed up as police officers entered the museum at 1:24 a.m., explaining to the security guards on duty that they had received a call about a disturbance. The impostors bound and gagged the guards with handcuffs and duct tape, then made off with 13 pieces, including works by Degas, Manet, Rembrandt, and Vermeer, which in total are thought to be valued around $500 million. The crime remains unsolved.
ChardinвЂ™s Rayfish with Basket of Onions
Initially used to describe and deprecate a movement, the term Impressionism “was immediately taken up by all parties” to describe the style,  and Monet’s Impression, Sunrise considered to encapsulate the start of the movement and its name.
Following the defeat of France in the Franco-Prussian War of 1870–71, the regeneration of France was exemplified in the thriving port of Le Havre.  Art historian Paul Tucker suggests that the contrast of elements like the steamboats and cranes in the background to the fishermen in the foreground represent these political implications: “Monet may have seen this painting of a highly commercial site as an answer to the postwar calls for patriotic action and an art that could lead. For while it is a poem of light and atmosphere, the painting can also be seen as an ode to the power and beauty of a revitalized France.” 
Critics panned the Impressionist style when it emerged in a group exhibition by a collective that included Monet and others, like Paul Cézanne and Edgar Degas. Reviews were harsh for the artists’ departure from the academic style of painting that critics were used to seeing in official salons. The artists hit back by taking their movement’s name from a mocking article titled “The Impressionists’ Exhibition,” after the title of Monet’s painting — which, in its initial showing, was called simply “Impression.”
The year has also been botched in records despite a clear “72” next to Monet’s signature. The art dealer Daniel Wildenstein listed the painting as a piece from 1873 in his five-volume catalogue raisonné of Monet’s work. According to Ms. Mathieu, Mr. Wildenstein grouped all of Monet’s Normandy landscapes painted in 1872 and 1873 into the later date based on documents confirming the painter’s visit to the region in April of that year.
Impressionists perform their art with a degree of rapidity, almost as if they are trying to catch up with the light as it travels from its natural source to an object. In the case of Monet’s Impression Sunrise painting, it is the sun’s morning rays as they hit Le Havre’s waters. Although the ginger sun appears to be in contrast with the gray waters, they are both on the same level in terms of photographic brilliance. This is more apparent when the sun becomes almost invisible to the observer of the same painting produced in black-and-white.
The renowned Claude Monet’s Impression Sunrise painting was born inside the artist’s bedroom in 1872 while the sun was just about to announce its presence to the world. Inspired by Le Havre’s sunrise as viewed from his window, Monet tried to capture both the breaking of dawn in the skies, which, at the same time, was also reflected on the harbor waters. When the painting was up for exhibition in 1874, the artist hesitated to name it after the landscape is rendered. Instead, Claude Monet called his masterpiece Impression: Soleil Levant.