michaelangelo la pieta when was it made
Do you not know that chaste women stay fresh much more than those who are not chaste? How much more in the case of the Virgin, who had never experienced the least lascivious desire that might change her body? 
The marks of the Crucifixion are limited to very small nail marks and an indication of the wound in Jesus’ side.
This was a special work of art even in the Renaissance because at the time, multi-figured sculptures were rare. These two figures are carved so as to appear in a unified composition which forms the shape of a pyramid, something that other Renaissance artists (e.g. Leonardo) also favored.
The scene of the Pieta shows the Virgin Mary holding the dead body of Christ after his crucifixion, death, and removal from the cross, but before he was placed in the tomb. This is one of the key events from the life of the Virgin, known as the Seven Sorrows of Mary, which were the subject of Catholic devotional prayers. The subject matter was one which would have probably been known by many people, but in the late fifteenth century it was depicted in artworks more commonly in France and Germany than in Italy.
A statue was commissioned for the tomb in St. Peters of the French cardinal Jean de Billheres, who was a representative in Rome. According to the formal agreement, the Pieta` was to be “the most beautiful work of marble in Rome, one that no living artist could better.” Michelangelo was neither daunted nor intimated by such a request and upon its completion the world declared that MichelangeloвЂ™s Pieta вЂsurpassed not only the sculptures of his contemporaries but even those of the ancient Greeks and Romans themselves; the standards by which all art was judged.вЂ™
The lamentation of Christ was a theme popular in Northern European art since the fourteenth century and it traditionally focused on the portrayal of pain through the two figures of Mary and Jesus. But Michelangelo’s interpretation of Mary holding a dead Christ in her arms is remarkable in its devotion to the Renaissance Humanist ideals of physical perfection and beauty. Michelangelo boldly celebrated the intimacy and majesty of a single moment frozen in time, choosing to portray Mary as a chaste and glowing young woman holding the gracefully lifeless body of the Savior across her lap. When we gaze upon this masterpiece itвЂ™s as though MaryвЂ™s outstretched left hand beckons us to share with her, the profound grief caused by the death of her son. Such a subtle and effective compositional device is even more remarkable when we remind ourselves that Michelangelo was only 24 years old when finished his Pieta.
He also designed a line of swimsuits for a clothing manufacturer in Wisconsin named Jack A. Winter. The creepy bathing suits (on video here) included a top that looked like a sandwich board and featured a giant pair of eyes, and a bikini that inexplicably came with an inflatable baseball catcher. The suits didn’t make it to market, but Dalí reportedly took the inflatables back to his home to use in his pool.
Specifically, he used Carrara marble, a white and blue stone named for the Italian region where it is mined. It’s been a favorite medium of sculptors since the days of Ancient Rome.
5. Its trip to the World’s Fair was the first time the statue had left Rome since its inception. The precious cargo in its triple packing crate weighed in at just under six tons.
9. Among the most difficult damage to repair was Mary’s eyelid, which took approximately 20 tries before the restorers got it right.