painting of a girl on a swing

Painting of a girl on a swing

  • One copy, once owned by Edmond James de Rothschild, [7] portrays the woman in a blue dress. [8]
  • The other is a smaller version (56 × 46 cm), owned by Duke Jules de Polignac. [7] This painting became the property of the Grimaldi family in 1930 when Pierre de Polignac (1895-1964) married Princess Charlotte, Duchess of Valentinois (1898-1977). In 1966, the Grimaldi & Labeyrie Collection gave it to the city of Versailles, where it is currently exhibited at the Musée Lambinet, attributed to Fragonard’s workshop. [9]

The painting depicts an elegant young woman on a swing. A smiling young man, hiding in the bushes on the left, watches her from a vantage point that allows him to see up into her billowing dress, where his arm is pointed with hat in hand. A smiling older man, who is nearly hidden in the shadows on the right, propels the swing with a pair of ropes. The older man appears to be unaware of the young man. As the young lady swings high, she throws her left leg up, allowing her dainty shoe to fly through the air. The lady is wearing a bergère hat (shepherdess hat). Two statues are present, one of a putto, who watches from above the young man on the left with its finger in front of its lips in a sign of silence, the other of pair of putti, who watch from beside the older man, on the right. There is a small dog shown barking in the lower right hand corner, in front of the older man. According to the memoirs of the dramatist Charles Collé, [2] a courtier (homme de la cour) [3] asked first Gabriel François Doyen to make this painting of him and his mistress. Not comfortable with this frivolous work, Doyen refused and passed on the commission to Fragonard. [2] The man had requested a portrait of his mistress seated on a swing being pushed by a bishop, but Fragonard painted a layman.

Painting of a girl on a swing
Night serenade Print
Girl on a Swing Painting

Painting of a girl on a swing
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Painting of a girl on a swing
The Swing is one of Fragonard’s best-known works, a somewhat risquГ© composition depicting the mistress of the Baron de Saint-Julien. This young girl, positioned at the composition’s centre, appears on a swing, wearing a pink dress. She is pushed by a smiling man, who does not realise another man is amongst the shrubs, looking up her skirt. She, however, appears to have engineered the scene, looking down at him as she moves through the air. The scene is set against an unruly forest crowded with statuary alongside people and plants. The girl’s outstretched foot, from which a slipper flies, points at the most prominent sculpture, recognisable to viewers as Etienne-Maurice Falconet’s Menacing Cupid.
The FГЄte at Saint Cloud can be linked to the tradition of the fГЄte-galante common in the 18 th century, but contributes a growing self-consciousness and engagement with intellectual issues. In the painting, the fair is considered not simply as a site for pleasure, but rather as a space in which questions of class are made manifest, drawing upon the ideas of Jean-Jacques Rousseau and other theorists; the crowd depicted contains people from a range of backgrounds and alludes, through the figures in costume, to the way in which spectacle could disguise social position and dissolve individual identity into the collective. Fragonard’s sensuous brushwork invited the viewer to engage with the painting on an emotional level, also, encouraging the projection of personal memories of such fairs onto the scene, prompting reflections on the power of art to provide ideal experiences that can evoke and transcend those in life. The FГЄte at Saint-Cloud anticipates social questions that would become central after the Revolution, while the composition itself, in which humanity is dwarfed by nature, with dramatic use of light and strong contrast, creates a sensation of being overwhelmed that would be explored by Romantic painters in the following century.

Painting of a girl on a swing
Commissioned by the notorious French libertine Baron de St. Julien as a portrait of his mistress, The Swing was to be painted to the following specificity: “I should like you to paint Madame seated on a swing being pushed by a Bishop. “
She is illuminated by the soft lighting coming from above, and the fanciful trees form an oval frame for the action in the center.

References:

http://fineartamerica.com/art/paintings/girl+on+a+swing
http://art4you.ie/girl-on-a-swing-1/
http://m.theartstory.org/artist/fragonard-jean-honore/artworks/
http://www.artble.com/artists/jean-honore_fragonard/paintings/the_swing
http://m.youtube.com/watch?v=TLWbcnu6KSI

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