the ecstasy of st.theresa

The ecstasy of st.theresa
• Francois Duquesnoy (1594-1643)
Exponent of a restrained form of classical sculpture.

Note: In creating his Ecstasy of Saint Teresa it is almost certain that Bernini made use of styles initiated by certain Mannerist artists. For example, we can see the basis for Bernini’s masterpiece in the simple piety, floating drapery and heavenward gaze of the Beata Michelina (1606, Pinacoteca Vaticana, Rome), a painting by the influential Mannerist religious painter Federico Barocci (1526-1612).

The band released the EP Pigment in 1991. This album, along with 1992’s Susurrate, featured a feedback-drenched psychedelic rock sound. [ citation needed ]
The Ecstasy of Saint Theresa was a Czech alternative rock band, formed in 1990 by Jan Muchow, Jan Gregar, Petr Wegner and Irna Libowitz. [1] Early shoegaze influences included Siouxsie and the Banshees, Cocteau Twins, and My Bloody Valentine.

The ecstasy of st.theresa
The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, The Life of Teresa of Jesus (1515–1582). Her experience of religious ecstasy in her encounter with the angel is described as follows:
The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove.

The ecstasy of st.theresa
The Ecstasy of St. Teresa
Artist / Origin: Gian Lorenzo Bernini (Italian, 1598–1680)
Region: Europe
Date: 1647–52
Period: 1400 CE – 1800 CE
Material: Marble, stucco, and gilt bronze
Medium: Sculpture
Dimensions: H: 11 ft. 6 in. (3.5 m.)
Location: Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy
Credit: Courtesy of SCALA/Art Resource, NY
Careri, Giovanni, and Linda Lappin. Bernini: Flights of Love, the Art of Devotion. Chicago: University of Chicago Press, 1995.

The ecstasy of st.theresa
As inspiration for his 1652 sculpture Saint Teresa in Ecstasy, Gianlorenzo Bernini kept returning to one passage in the autobiography of Saint Teresa of Avila:
FOOT – Her dangling bare foot is emblematic of the Discalced (“Shoeless”) Carmelites, the reformed religious order Teresa founded (from Matthew 10:10, “no sack for the journey, or a second tunic, or sandals, or walking stick”).

References:

http://en.m.wikipedia.org/wiki/The_Ecstasy_of_Saint_Theresa_(band)
http://en.m.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa
http://www.learner.org/series/art-through-time-a-global-view/dreams-and-visions/the-ecstasy-of-st-teresa/
http://www.stmarys-ca.edu/the-ecstasy-of-saint-teresa
http://en.m.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa

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