the starry night painting worth
Surveying the works that would become known as his Saint-Paul Asylum, Saint-Remy series, he wrote to Theo, “All in all the only things I consider a little good in it are the Wheatfield, the Mountain, the Orchard, the Olive trees with the blue hills and the Portrait and the Entrance to the quarry, and the rest says nothing to me.”
In 1900, van Gogh-Bonger sold Starry Night to French poet Julien Leclerq, who soon sold it to Post-Impressionist artist Émile Schuffenecker. Six years later, she bought the painting back from Schuffenecker so she could pass it along to the Oldenzeel Gallery in Rotterdam.
Harvard astronomer Charles A. Whitney conducted his own astronomical study of The Starry Night contemporaneously with but independent of Boime (who spent almost his entire career at U.C.L.A.).  While Whitney does not share Boime’s certainty with regard to the constellation Aries,  he concurs with Boime on the visibility of Venus in Provence at the time the painting was executed.  He also sees the depiction of a spiral galaxy in the sky, although he gives credit for the original to Anglo-Irish astronomer William Parsons, Lord Rosse, whose work Flammarion reproduced. 
The nocturne series was limited by the difficulties posed by painting such scenes from nature, i.e., at night.  The first painting in the series was Café Terrace at Night, painted in Arles in early September 1888, followed by Starry Night Over the Rhône later that same month. Van Gogh’s written statements concerning these paintings provide further insight into his intentions for painting night studies in general and The Starry Night in particular.
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Widely hailed as Van Gogh’s magnum opus, the painting depicts the view outside his sanatorium room window at night, although it was painted from memory during the day.
4) Physicist Jose Luis Aragon compared the turbulent play of light and dark in such works as “Starry Night” to the mathematical expression of turbulence in such natural occurrences as as whirlpools and air streams. He found they matched very closely. Two other Van Gogh paintings from 1890, WheatField with Crows and Road with Cypress and Star also feature this mathematical parallel. Aragon suggests that since the artist created these particular artworks during periods of extreme mental agitation, Van Gogh was uniquely able to accurately communication that agitation using precise gradations of luminescence.
Ginevra de’ Benci by Leonardo da Vinci
Vase with Fifteen Sunflowers by Vincent van Gogh. You can purchase a canvas print of Vase with Fifteen Sunflowers here.