what is the meaning of starry night painting
The sky, the nature, the starry night satisfied his desire for infinity.
The sky, the stars and the moon are linked by a movement which gives us the impression that we are inside a swirl, and we feel a strong feeling of vertigo.
Vincent van Gogh painted Starry Night in 1889 during his stay at the asylum of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. Van Gogh lived well in the hospital; he was allowed more freedoms than any of the other patients. If attended, he could leave the hospital grounds; he was allowed to paint, read, and withdraw into his own room. He was even given a studio. While he suffered from the occasional relapse into paranoia and fits – officially he had been diagnosed with epileptic fits – it seemed his mental health was recovering.
Unfortunately, he relapsed. He began to suffer hallucination and have thoughts of suicide as he plunged into depression. Accordingly, there was a tonal shift in his work. He returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift. Blue dominates the painting, blending hills into the sky. The little village lays at the base in the painting in browns, greys, and blues. Even though each building is clearly outlined in black, the yellow and white of the stars and the moon stand out against the sky, drawing the eyes to the sky. They are the big attention grabber of the painting.
Starry Night is one of the most recognized pieces of art in the world. It is absolutely everywhere, too. It can be seen on coffee, mugs, t-shirts, towels, magnets, etc. Honestly, it sometimes feels as if the painting’s fame has exceeded that of its creator. It is a magnificent piece of art. That Starry Night resonates with so many people is a testament to how its beauty is timeless and universal.
New York: The Museum of Modern Art
While there’s no denying the popularity of Starry Night, it’s also interesting to note that there is very little known about Vincent’s own feelings toward his work. This is mainly due to the fact that he only mentions it in his letters to Theo twice (Letters 595 and 607), and then only in passing. In his correspondence with his brother, Vincent would often discuss specific works in great detail, but not so in the case of Starry Night. Why? It’s difficult to say.
Van Gogh´s choice of color in Starry Night has been much debated, particularly the dominance of yellow in this and other late works. Some believe van Gogh may have been suffering from lead poisoning or a type of brain disease and that this explains his strange use of color in later paintings.
In a letter to his brother, Theo, van Gogh comments: “I should not be surprised if you liked the Starry Night and the Ploughed Fields, there is a greater quiet about them than in the other canvases. “ Later in the letter he makes reference to Leo Tolstoys book My Religion and its lack of belief in resurrection. Such fleeting mentions of religion echoed van Goghs feelings towards the subject at this time; he could neither forget it nor totally accept it. Despite this, his use of the word ‘quiet’ and reference to Tolstoys book indicates that the night sky made him feel calm and brought to mind eternity.
Interpretations of this painting are legion. Some claim it is a perfectly realistic account of the position of the stars in June 1889. This, needless to say, is perfectly possible. But the twisting, spiralling lines have nothing to do with the Northern Lights or the Milky Way or some spiral nebula or other. Others say that van Gogh was expressing a personal Gethsemane; they back this up by referring to the discussion of Christ on the Mount of Olives that he was currently engaged in, in his correspondence with Gauguin and Bernard. This too may be so; it is possible that premonitions of sufferings to come are articulated in the picture. But Biblical allegory is present throughout van Gogh’s oeuvre, and he had no need of a special motif, least of all a starry sky, with all its associations of Arles and Utopian visions. Rather, van Gogh was trying to summarize; and his resume juxtaposed natural, scientific, philosophical and personal elements. Starry Night is an attempt to express a state of shock, and the cypresses, olive trees and mountains had acted as van Gogh’s catalyst. More intensely, perhaps, than ever before, van Gogh was interested in the material actuality of his motifs as much as in their symbolic dimensions.
6) In his 2015 book, “Cosmographics,” Michael Benson contends that the inspiration behind the distinctive swirls in the sky of Van Gogh’s “Starry Night” is an 1845 drawing by astronomer William Parsons, Earl of Rosse, of the Whirlpool Galaxy.