what is the meaning of van gogh starry night
The sky, the stars and the moon are linked by a movement which gives us the impression that we are inside a swirl, and we feel a strong feeling of vertigo.
“I feel a tremendous need for religion, so I go outside at night to paint the stars”.
He wrote about existing in another dimension after death and associated this dimension with the night sky. “It would be so simple and would account so much for the terrible things in life, which now amaze and wound us so, if life had yet another hemisphere, invisible it is true, but where one lands when one dies.”  “Hope is in the stars,” he wrote, but he was quick to point out that “earth is a planet too, and consequently a star, or celestial orb.”  And he stated flatly that The Starry Night was “not a return to the romantic or to religious ideas.” 
The Starry Night is an oil on canvas by Dutch post-impressionist painter Vincent van Gogh. Painted in June 1889, it describes the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an ideal village.    It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Regarded as among Van Gogh’s finest works,  The Starry Night is one of the most recognized paintings in the history of Western culture.  
Starry Night is one of the most recognized pieces of art in the world. It is absolutely everywhere, too. It can be seen on coffee, mugs, t-shirts, towels, magnets, etc. Honestly, it sometimes feels as if the painting’s fame has exceeded that of its creator. It is a magnificent piece of art. That Starry Night resonates with so many people is a testament to how its beauty is timeless and universal.
Vincent van Gogh painted Starry Night in 1889 during his stay at the asylum of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. Van Gogh lived well in the hospital; he was allowed more freedoms than any of the other patients. If attended, he could leave the hospital grounds; he was allowed to paint, read, and withdraw into his own room. He was even given a studio. While he suffered from the occasional relapse into paranoia and fits – officially he had been diagnosed with epileptic fits – it seemed his mental health was recovering.
Unfortunately, he relapsed. He began to suffer hallucination and have thoughts of suicide as he plunged into depression. Accordingly, there was a tonal shift in his work. He returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift. Blue dominates the painting, blending hills into the sky. The little village lays at the base in the painting in browns, greys, and blues. Even though each building is clearly outlined in black, the yellow and white of the stars and the moon stand out against the sky, drawing the eyes to the sky. They are the big attention grabber of the painting.
New York: The Museum of Modern Art
Some people have speculated about the eleven stars in the painting. While it’s true that Vincent didn’t have the same religious fervour in 1889, when he painted the work, as he did in his earlier years, there is a possibility that the story of Joseph in the Old Testament may have had an influence on the composition of the work.
вЂњThis morning I saw the countryside from my window a long time before sunrise, with nothing but the morning star, which looked very big,вЂќ wrote van Gogh to his brother Theo, describing his inspiration for one of his best-known paintings, The Starry Night (1889). 3 The window to which he refers was in the Saint-Paul asylum in Saint-RГ©my, in southern France, where he sought respite from his emotional suffering while continuing to make art.
By 1888, van Gogh had returned to the French countryside, where he would remain until his death. There, close once again to the peasants who had inspired him early on, he concentrated on painting landscapes, portraits (of himself and others), domestic interiors, and still lifes full of personal symbolism.