what type of painting is stary night
Art historian Lauren Soth also finds a symbolist subtext in The Starry Night, saying that the painting is a “traditional religious subject in disguise”  and a “sublimated image of [Van Gogh’s] deepest religious feelings.”  Citing Van Gogh’s avowed admiration for the paintings of Eugène Delacroix, and especially the earlier painter’s use of Prussian blue and citron yellow in paintings of Christ, Soth theorizes that Van Gogh used these colors to represent Christ in The Starry Night.  He criticizes Schapiro’s and Loevgren’s biblical interpretations, dependent as they are on a reading of the crescent moon as incorporating elements of the Sun. He says it is merely a crescent moon, which, he writes, also had symbolic meaning for Van Gogh, representing “consolation.” 
F1541r Landscape with Cypresses, Van Gogh Museum
Starry Night depicts a dreamy interpretation of the artist’s asylum room’s sweeping view of Saint-Rémy-de-Provence. Though Van Gogh revisited this scene in his work on several occasions, “Starry Night” is the only nocturnal study of the view. Thus, in addition to descriptions evident in the myriad of letters he wrote to his brother, Theo, it offers a rare nighttime glimpse into what the artist saw while in isolation. “Through the iron-barred window I can make out a square of wheat in an enclosure,” he wrote in May of 1889, “above which in the morning I see the sun rise in its glory.”
3) The artist considered “The Starry Night,” which one day would rank among his most famous works, to be a failure, according to what he wrote to his brother.
Starry Night is one of the most recognized pieces of art in the world. It is absolutely everywhere, too. It can be seen on coffee, mugs, t-shirts, towels, magnets, etc. Honestly, it sometimes feels as if the painting’s fame has exceeded that of its creator. It is a magnificent piece of art. That Starry Night resonates with so many people is a testament to how its beauty is timeless and universal.
Vincent van Gogh painted Starry Night in 1889 during his stay at the asylum of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. Van Gogh lived well in the hospital; he was allowed more freedoms than any of the other patients. If attended, he could leave the hospital grounds; he was allowed to paint, read, and withdraw into his own room. He was even given a studio. While he suffered from the occasional relapse into paranoia and fits – officially he had been diagnosed with epileptic fits – it seemed his mental health was recovering.
Unfortunately, he relapsed. He began to suffer hallucination and have thoughts of suicide as he plunged into depression. Accordingly, there was a tonal shift in his work. He returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift. Blue dominates the painting, blending hills into the sky. The little village lays at the base in the painting in browns, greys, and blues. Even though each building is clearly outlined in black, the yellow and white of the stars and the moon stand out against the sky, drawing the eyes to the sky. They are the big attention grabber of the painting.
The Starry Night, a moderately abstract landscape painting (1889) of an expressive night sky over a small hillside village, one of Dutch artist Vincent van Gogh’s most celebrated works.
The oil-on-canvas painting is dominated by a night sky roiling with chromatic blue swirls, a glowing yellow crescent moon, and stars rendered as radiating orbs. One or two cypress trees, often described as flame-like, tower over the foreground to the left, their dark branches curling and swaying to the movement of the sky that they partly obscure. Amid all this animation, a structured village sits in the distance on the lower right of the canvas. Straight controlled lines make up the small cottages and the slender steeple of a church, which rises as a beacon against rolling blue hills. The glowing yellow squares of the houses suggest the welcoming lights of peaceful homes, creating a calm corner amid the painting’s turbulence.
This mid-scale, oil-on-canvas painting is dominated by a moon- and star-filled night sky. It takes up three-quarters of the picture plane and appears turbulent, even agitated, with intensely swirling patterns that seem to roll across its surface like waves. It is pocked with bright orbsвЂ”including the crescent moon to the far right, and Venus, the morning star, to the left of centerвЂ”surrounded by concentric circles of radiant white and yellow light.
A Modern and Contemporary art study set for test-takers, teachers, and lifelong learners alike.