what was claude monet style of painting
In 1874 Monet and some of his fellow artists decided to show their paintings in an exhibition. Critics started to call them impressionists, named after Monet’s painting “Impression:Sunrise”. Many people visited the exhibition but the group did not sell any paintings.
In 1859 Monet went back to Paris to study art. There he met other artists of the time, including Renoir and Sisley. Together with them he started experimenting with painting in nature.
The key to the impressionist movement was Claude Monet’s style as he portray light and color in a clever way. In order to depict this kind of element into his art, he went as far as the Mediterranean and other locations in Central Europe. Its this exploration that gave both to such an expertise and genius of artist is movement, and influencing artists till date.
In his early years, he had several mentors that taught him which later became a key part in the development of his artistic style. It wasn’t until he met Eugéne Boudin that he use charcoal caricatures and not oil paint. One of his early style can be seen in his first notable painting, Camile and The Woman in the Garden( see at blouin artinfo). Even though he was not a traditional impressionist, yet these works bring out the style of natural light.
Claude Monet / CC0
Claude Monet is probably the best-loved of all the impressionist painters, and he was certainly the most influential. His paintings attempting to capture the fleeting effects of sunlight at different times of the day and in various environments are still captivating nearly 100 years after his death. If anything, in our era of visual overload, the freshness of how Monet saw the world is even more striking.
The early years of Monet’s career were marked by several influential figures and mentors teaching him techniques that would later play a key part in the development of his own style.
Monet’s renowned use of color is directly linked to his use of light. The artist had a love of depicting color in new and experimental ways and this was heavily influenced by the different ways objects would look depending on the time of day. Such a pursuit, which included both night and day, meant that Monet’s use of color was widely ranged. His use of dark tones was often utilized in order to further highlight his use of brighter colors.
The exceptional achievements of Monet’s prolific youthful period can be measured in works completed between 1865 and 1870, before he had begun to fragment his brushstrokes into the characteristic broken touches that were to become the hallmark of Impressionist style. One of the most ambitious of these early works (which was never finished, supposedly because of negative comments by Gustave Courbet) was Le Déjeuner sur l’herbe (1865–66; “Luncheon on the Grass”), named after Édouard Manet’s notorious painting shown in the Salon des Refusés in 1863. In contrast to Manet’s masterpiece, which was a shocking adaptation of a Renaissance visual idea to a contemporary setting, Monet’s painting was an utterly contemporary yet unprovocative representation of a group of fashionably dressed picnickers in the forest of Fontainebleau. Monet did share with Manet, however, a concern for representing actual scenes of modern life rather than contrived historical, romantic, or fanciful subjects. Thus, Monet’s Déjeuner was an extension, by virtue of a more immediate empiricism, of the Realism of Courbet.
Claude Monet’s influence on other artists was wide-ranging, from his near contemporaries such as Vincent van Gogh to a diverse new generation of artists such as Pierre Bonnard and Henri Matisse. Visiting American artists adopted his fresh palette, subject matter, and spontaneous style and eventually introduced those elements to American art.