where is the pieta sculpture kept
The marks of the Crucifixion are limited to very small nail marks and an indication of the wound in Jesus’ side.
Another explanation suggests that Michelangelo’s treatment of the subject was influenced by his passion for Dante’s Divina Commedia: so well-acquainted was he with the work that when he went to Bologna, he paid for hospitality by reciting verses from it. In Paradiso (cantica 33 of the poem), Saint Bernard, in a prayer for the Virgin Mary, says “Vergine madre, figlia del tuo figlio” (Virgin mother, daughter of your son). This is said because, since Christ is one of the three figures of Trinity, Mary would be his daughter, but it is also she who bore him.
From: ‘Guide to Saint Peter’s Basilica ‘
This is probably the world’s most famous sculpture of a religious subject. Michelangelo carved it when he was 24 years old, and it is the only one he ever signed. The beauty of its lines and expression leaves a lasting impression on everyone.
On the night of December 3, 1749 Pope Benedict XIV ordered its further and definitive moving, together with the elliptic cottanello base, made by Francesco Borromini in 1626, then modified in 1968.
6. The packaging created for the sculpture’s Atlantic crossing was designed to withstand a shipwreck. If the ship went down, the crate would float. If the statue partially sunk, a radio transmitter inside the crate would serve as a location device.
2. He may have signed “Pieta” twice. During a repair project in the early 1970s, restorers discovered the letter “M” engraved on the Virgin Mary’s left palm. Because it was cleverly worked into the lines of the sculpture’s skin, it had not been previously detected. The monogram may stand for Michelangelo, Mary or both.
I guess everyone knows Michelangelo’s Pietá from St. Peter Basilica in Vatican. But did you know, it is not the only sculpture of this subject created by the artist? Here we present all Pietás created by the great Renaissance master – and some of them can be really surprising!
In this Pietá we have four figures: the dead body of Jesus Christ, just taken down from the Cross, Nicodemus (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary. According to the famous art historian Giorgio Vasari, Michelangelo made this sculpture to decorate his tomb in Santa Maria Maggiore in Rome. But it now can be found in Florence. How so?
In his autobiography, Dalí explained that his second expulsion was the result of him refusing to submit to an oral exam, telling them, “I am infinitely more intelligent than these three professors, and I therefore refuse to be examined by them. I know this subject much too well.” This marked the final straw for his academic career.
Dalí occasionally moonlighted as a fashion designer, bringing some of his signature motifs to womenswear. He collaborated with Italian fashion designer Elsa Schiaparelli to create clothing inspired by his paintings, like a dress with drawer-like pockets inspired by The Anthropomorphic Cabinet, a shoe hat inspired by a photo Dalí took of Gala, and a lobster-print dress worn by Wallis Simpson in a Vogue photoshoot in 1937. (Dalí regularly put lobsters in his paintings, often using them to represent his fear of castration.)