where is the pieta sculpture located
When Michelangelo set out to create his Pietà, he wanted to create a work he described as “the heart’s image”. 
Christ’s face does not reveal signs of the Passion. Michelangelo did not want his version of the Pietà to represent death, but rather to show the “religious vision of abandonment and a serene face of the Son,”  [ better source needed ] thus the representation of the communion between man and God by the sanctification through Christ.
It is said that Michelangelo had been criticized for having portrayed the Virgin Mary as too young since she actually must have been around 45-50 years old when Jesus died. He answered that he did so deliberately because the effects of time could not mar the virginal features of this, the most blessed of women. He also said that he was thinking of his own mother’s face, he was only five when she died: the mother’s face is a symbol of eternal youth.
When he received the commission for the famous sculpture, Michelangelo had been living in Rome for just two years and had only completed two sculptures, a lost Cupid-Apollo and a Baccus for the banker Jacopo Galli. When it was first unveiled in the chapel of Santa Petronilla in the old St. Peter’s, a proud Michelangelo stood by and watched as people admired the beautiful Pieta. Perhaps his pride turned into anger as he overheard a group of people attributing the work to other artists of his time. This caused Michelangelo to add one last thing to his sculpture. Across the sash on the Virgin Mary, Michelangelo carved his name. “MICHAEL. ANGELUS. BONAROTUS. FLORENT. FACIEBAT” (Michelangelo Buonarroti of Florence Created This). He later regretted that his emotions got the best of him and vowed to never sign another one of his works again. The statue stands 69 inches high and depicts a surprisingly young Mary. Asked why he chose to portray Christ’s mother like that, Michelangelo answered, “Women who are pure in soul and body never grow old.”
Crafted in the late 15th century, the Pietà remains one of the most beloved sculptures in the world. Here, we take a look at this piece in order to understand how its iconography, history, and artistic characteristics have shaped such an important legacy.
Stock Photos from Elena Pominova/Shutterstock
4. The loan of “Pieta” to the 1964 World’s Fair in New York City was a high-security undertaking. A bulletproof enclosure consisting of two and a half tons of Plexiglas ensured the statue’s safety. Electric-powered conveyor walkways kept crowds of viewers moving along.
In the Pieta, Michelangelo approached a subject which until then had been given form mostly north of the Alps, where the portrayal of pain had always been connected with the idea of redemption: it was called the “Vesperbild” and represented the seated Madonna holding Christ’s body in her arms. But now the twenty-three year-old artist presents us with an image of the Madonna with Christ’s body never attempted before. Her face is youthful, yet beyond time; her head leans only slightly over the lifeless body of her son lying in her lap. “The body of the dead Christ exhibits the very perfection of research in every muscle, vein, and nerve. No corpse could more completely resemble the dead than does this. There is a most exquisite expression in the countenance. The veins and pulses, moreover, are indicated with so much exactitude, that one cannot but marvel how the hand of the artist should in a short time have produced such a divine work.”
The Pietà was completed when Michelangelo was very young: there are different theories regarding the exact date of its completion, but he was either 25 or 26 years old.
Despite being immediately well-received and admired, the Pietà did receive some criticism for the particularly youthful depiction of the Virgin Mary, who resembles an adolescent. This was done intentionally by Michelangelo, as was revealed by his biographers, and there was a theological explanation behind it. The incorruptible Virgin, the immaculate conception, she is the symbol of crystallised youth that never withers; the artist also took inspiration from the verses of Dante’s Paradiso: “O Virgin mother, daughter of thy son.