where is the swing painting located

Where is the swing painting located
Name: The Swing (L’Escarpolette) (1767)
Artist: Jean-Honore Fragonard (1732-1806)
Medium: Oil painting on canvas
Genre: Genre painting
Movement: Rococo art
Location: Wallace Collection, London
A highly important figure in 18th century French painting, who now ranks among the greatest of all Rococo artists, the exceptionally talented Fragonard trained under Francois Boucher – whose main patron was Louis XV’s mistress, Madame de Pompadour – and Jean Chardin, famous for his still life painting and genre works. Winner of the Prix de Rome run by the French Academy, he was influenced by the pastoral scenes of Nicolas Poussin and above all by the freer, more colourful painting of Giambattista Tiepolo, famous for his Wurzburg Residence frescoes (1750-53). During the mid-1760s, revitalizing the idiom pioneered by Jean-Antoine Watteau, Fragonard began to specialize in the playful, erotic compositions for which he is now most famous. His delicate 18th century colour palette, witty content and fast brushwork gave even his most voyeuristic canvases a wonderful atmosphere of gaiety and joyfulness.

Where is the swing painting located
This style of “frivolous” painting soon became the target of the philosophers of the Enlightenment, who demanded a more serious art which would show the nobility of man. [4]
The painting depicts an elegant young woman on a swing. A smiling young man, hiding in the bushes on the left, watches her from a vantage point that allows him to see up into her billowing dress, where his arm is pointed with hat in hand. A smiling older man, who is nearly hidden in the shadows on the right, propels the swing with a pair of ropes. The older man appears to be unaware of the young man. As the young lady swings high, she throws her left leg up, allowing her dainty shoe to fly through the air. The lady is wearing a bergère hat (shepherdess hat). Two statues are present, one of a putto, who watches from above the young man on the left with its finger in front of its lips in a sign of silence, the other of pair of putti, who watch from beside the older man, on the right. There is a small dog shown barking in the lower right hand corner, in front of the older man. According to the memoirs of the dramatist Charles Collé, [2] a courtier (homme de la cour) [3] asked first Gabriel François Doyen to make this painting of him and his mistress. Not comfortable with this frivolous work, Doyen refused and passed on the commission to Fragonard. [2] The man had requested a portrait of his mistress seated on a swing being pushed by a bishop, but Fragonard painted a layman.

Where is the swing painting located
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Fragonard’s iconic painting is one of the most emblematic images of 18th-century French art. A young woman wearing a lovely pink silk frock is tantalisingly positioned mid-air on a swing between her elderly husband on the right and her young lover on the left. The force of the swing caused one of her slippers to fly off, resulting in a privileged view for her lover whose delight is suggested by the symbolic offer of his hat.

Where is the swing painting located
Figure 1. Jean-Honoré Fragonard, The Swing, oil on canvas, 1767 (Wallace Collection, London)
They are surrounded by a lush, over grown garden. A sculptured figure to the left puts his fingers to his mouth, as though saying “hush,” while another sculpture in the background has two cupid figures cuddled together. The colors are pastel—pale pinks and greens, and although we have a sense of movement and a prominent diagonal line—the painting lacks all of the seriousness of a baroque painting.

Where is the swing painting located
The painting depicts an elegant young woman on a swing. A smiling young man, hiding in the bushes on the left, watches her from a vantage point that allows him to see up into her billowing dress, where his arm is pointed with hat in hand. A smiling older man, who is nearly hidden in the shadows on the right, propels the swing with a pair of ropes. The older man appears to be unaware of the young man. As the young lady swings high, she throws her left leg up, allowing her dainty shoe to fly through the air. The lady is wearing a bergère hat (shepherdess hat). Cupid watches the affair at the side of the painting, while putting his finger to his lips. There are also two cherubs below the swing. One of them look away in disapproval while the other look at them in dread. According to the memoirs of the dramatist Charles Collé, a courtier (homme de la cour) asked first Gabriel François Doyen to make this painting of him and his mistress. Not comfortable with this frivolous work, Doyen refused and passed on the commission to Fragonard. The man had requested a portrait of his mistress seated on a swing being pushed by a bishop, but Fragonard painted a layman.
There are two notable copies, neither by Fragonard.

References:

http://en.m.wikipedia.org/wiki/The_Swing_(painting)
http://www.wallacecollection.org/collection/les-hazards-heureux-de-lescarpolette-swing/
http://courses.lumenlearning.com/zeliart102/chapter/fragonards-the-swing/
http://www.wikiart.org/en/jean-honore-fragonard/the-swing-1767
http://www.visual-arts-cork.com/famous-paintings/swing-fragonard.htm

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