why did monet paint the subject matter of the le havre harbor for his impressionism sunrise quizlet
A number of identifiable techniques and working habits contributed to the innovative style of the Impressionists. Although these methods had been used by previous artists—and are often conspicuous in the work of artists such as Frans Hals, Diego Velázquez, Peter Paul Rubens, John Constable, and J. M. W. Turner—the Impressionists were the first to use them all together, and with such consistency. These techniques include:
Radicals in their time, early Impressionists violated the rules of academic painting. They constructed their pictures from freely brushed colours that took precedence over lines and contours, following the example of painters such as Eugène Delacroix and J. M. W. Turner. They also painted realistic scenes of modern life, and often painted outdoors. Previously, still lifes and portraits as well as landscapes were usually painted in a studio.  The Impressionists found that they could capture the momentary and transient effects of sunlight by painting outdoors or en plein air. They portrayed overall visual effects instead of details, and used short “broken” brush strokes of mixed and pure unmixed colour—not blended smoothly or shaded, as was customary—to achieve an effect of intense colour vibration.
14. IT WAS MANET’S LAST MAJOR WORK.
5. A CONTEMPORARY BEER MAKES A CAMEO.
based on (isn): Chevreul’s color wheel demonstrating the principle of simultaneous contrast
colors=emotions, looks like sliding down, drink/gambling=slide down
The sun is set against the dawn, the orange color against the gray and the vibrant force of the sun against its motionless surroundings. To many spectators, the sun undulates or pulsates slightly. Why is this so? The sun is nearly the same luminance as the grayish clouds. Notice how the sun nearly disappears if you remove the color. (Click painting to reset.) This lack of contrast explains the painting’s eerie quality.
The central character, brighter by contrast to the other three, stares into the middle distance. Perhaps she is waiting for a prospective client, sizing one up, or signalling her availability. Her gesture with her finger is, Clayton suggests, a sexual signal suggesting fellatio. (On the other she might just be biting off a bit of annoying nail whilst eyeing up a prospect. )
Hilaire-Germain-Edgar Degas, Fourth Position Front, on the Left Leg, c. 1880s and Little Dancer 14 Years Old, c. 1881 (photos By Gunnar Bach Pedersen – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1363342)
Mary Cassatt, The Boating Party, 1893–94 and Berthe Morisot, The Cradle, 1873 (photos By Berthe Morisot – Unknown, Public Domain, https://commons.wikimedia.org/w/index.php?curid=132770 and By Mary Cassatt – The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH., Public Domain, https://commons.wikimedia.org/w/index.php?curid=148929)